Aggressively processed vocals are common in electronic music today, but producing these effects easily and reproducing them live continues to be a challenge. The VT-3 lets you smoothly alter Pitch and Formant and can introduce heavily processed vocal sounds into your studio tracks and live performances with zero hassle.
And it’s not just for robot voices (although we totally approve of robot voices). The VT-3 has the power to transform your voice into synthesizers, synth basses, hard-tuned and lo-fi vocals and more. The VT-3 can also be subtle and musical, with built-in reverb, smooth Wet/Dry fader control and instant bypass.
Built for creative speed and live performance, the VT-3 is meant to be played. It has high quality specs and sturdy, brightly-lit controls that are dead simple to use. The controls and functions are smooth and immediate with no popping or clicking or latency issues to worry about, even when switching presets or changing voice characters. Weighing less than two pounds and small enough to slip into a bag, you can take the VT-3 anywhere.
- Choose from 9 different voice characters
- Pop and electro sounds with two distinct “AUTO-PITCH” effects
- VP-330-style VOCODER sounds without need for a keyboard
- Glitchy effects that sound like something broke (in a good way) with SCATTER
- Loads of lo-fi character with MEGAPHONE and RADIO settings
- Synthetic sounding voices with the ROBOT button.
- Synths you can sing with SYNTH, LEAD, and BASS
- Change Pitch and Formant in real-time with smooth dedicated sliders
- Large dedicated REVERB and MIX BALANCE sliders
- Save your three favourite settings for instant recall
- Footswitch control for live performance
- Pure green LEDs and brightly lit controls for great visibility
- Lightweight and durable construction for easy portability
- XLR standard combo jack with phantom power and 1/8” inch powered mic jack
- Stereo outputs can be configured as separate mono Wet/Dry channels
- USB audio interface with loopback recording to overdub vocals on existing tracks
- Great for podcasts and live web streaming
- USB bus powered
The VT-3 is designed to work seamlessly and look great with other products in the AIRA series.
Audio & Video
With roots in the very origins of electronic music, AIRA is the new series of products designed to meet the evolving needs of today's electronic musicians.
Artists First Contact
Groundbreaking artists talk about their experiences with Roland instruments and make first contact with the AIRA gear.
AIRA in Miami
The Roland crew hit Miami Music Week with AIRA, and we thought we’d show you some of what happened. We shared AIRA with a lot of big artists, and, as you can see, it caused quite a stir and blew a lot of minds.
Analog Circuit Behavior
Go behind the scenes and learn how Roland's newly developed Analog Circuit Behavior (ACB) faithfully captures the sound and feel of some our most revered classics.
Movement Detroit 2014
The Roland AIRA crew headed to Movement in Detroit—a city integral to the history of electronic music and to our history as a company. AIRA gear was in lots of the performance rigs, keeping the music thumping and the crowds jumping.
Artists Arthur Baker, Ricardo Villalobos, Hardfloor, Netsky, Dr Meaker, A Guy Called Gerald and Boys Noize talk about their experiences with Roland instruments and discuss the joys and challenges of performing electronic music live.
TR-909 Rhythm Composer
Roland engineers discuss the technologies involved in getting the right sounds for the successor to the TR-808. The TR-909 Rhythm Composer evolved from the TR-808, adding digital samples and MIDI. House and Techno were born. Now the next step begins.
Artists First Contact - Todd Terry and Kenny Dope
Dance music legends Todd Terry and Kenny Dope check out the AIRA TR-8, TB-3, and VT-3.
Artists First Contact - Oscar G
Pioneering DJ and dance music producer Oscar G checks out the AIRA TR-8, TB-3, and VT-3.
TR-808 Rhythm Machine
Roland Engineers discuss the initial concept of the TR-808 which was conceived and built in 1980. Although it was designed to create “backing tracks,” creative musicians started to use the Rhythm Machine as an instrument and music changed forever. Now the evolution begins again.
Artists First Contact - MATOM
Groundbreaking electronic duo MATOM (RADIO SLAVE & CAGEDBABY) check out the AIRA TR-8, TB-3, VT-3, and SYSTEM-1.
Artists First Contact - Germano Studios
The staff at the famous Germano Studios in NYC tell us how they feel about their new AIRA gear.
- Nominal Input Level
- MIC IN: -40 to -12 dBu (variable)
- Input Impedance
- MIC IN (Rear): 4.4 k ohms
MIC IN (Front): 2.2 k ohms
- Nominal Output Level
- OUT: -10 dBu
- Output Impedance
- OUT: 1 k ohms
PHONES: 24 ohms
- Scene Memory: 3
- Voice Changer
- Character Type
- Effect Type
- Pitch slider
Mix Balance slider
- Peak indicator
- MIC IN jack (Rear): XLR type (balanced, phantom power: +48 V, 10 mA Max)
MIC IN jack (Rear): 1/4-inch TRS phone type (balanced)
MIC IN jack (Front): Stereo miniature phone type (plug-in power)
PHONES jack: Stereo miniature phone type
OUT jacks: 1/4-inch phone type
USB port: USB type B (Audio)
PEDAL jack: 1/4-inch phone type
DC IN jack
- Power Supply
- AC adaptor or obtained via USB port (USB bus power)
- Current Draw
- 380 mA
- Owner's manual
Leaflet "USING THE UNIT SAFELY"
- Options (sold separately)
- Footswitch: BOSS FS-5L, FS-5U
Pedal switch: DP-2
- Size and Weight
- 210 mm
- 175 mm
- 57 mm
- 690 g
1 lbs. 9 oz.
- * 0 dBu = 0.775 Vrms
Updates & Drivers
If you have questions about operating your Roland or BOSS product, please log in to MyRoland where you can log an enquiry with one of our product specialists.